Gorgeous artwork & solid storytelling (though not quite as epic as that in The Shrike).
I am not a bee, but I am small.
I like to see small things win.
There’s never been a war like him before.
The story arc in Pretty Deadly, Volume 2: The Bear isn’t nearly as epic as that in The Shrike, and I prefer the Wild West setting to WWI. But the storytelling is still pretty solid and, as always, the artwork is some of the loveliest I’ve ever seen in a graphic novel.
The Bear takes place several decades after The Shrike, and Sarah Fields – the BAMF gunslinger whose tears gave life to the savior of humanity – lay in bed dying. Who better to reap her than her old flame Fox? But daughter Verine isn’t ready to let Sarah go yet – not until her brother Cyrus returns home to say his final goodbyes. He’s got until the next full moon; can he make it back from the battlefields of France in time?
Meanwhile, Death’s got a lot on her plate. The Reaper of War’s gone rogue, sending ten thousand people her way every. single. day. The cycle of life and death makes the world go ‘round, but this is out of hand! Sissy sends Deathface Ginny and Big Alice to the Western Front to bring an end to the conflict – by any means necessary.
Like I said, the story is engaging, but a bit of a letdown in comparison to Sissy’s origin story in Volume 1. But it was great to see old friends: Sissy, who’s been tending the garden for several decades and is now a young woman; a (slightly) warmer and fuzzier Fox; Sarah, who lived a long and fruitful life, as evidenced by all the people – “whole damn family and half the territory” – who have gathered at her bedside; Johnny Coyote and Molly Raven; and our unflinchingly creepy narrators/observers, bunny and butterfly.